Friday, May 6, 2016

April: Juwan Alston

April: What are you plans for this summer both in relation to your dancing and personally?

New Beginnings

As my first season as a professional dancer comes to a close, I can only reflect at how much I have grown personally and artistically. I have been challenged to push myself even more. I have learned how to fuel myself according to the demand of what I am working on, after all our energy comes from food. I have learned how to soak everything in and the importance of paying attention to detail. But the most important thing I have learned is how to work smart and be patient with myself. Overall I feel that I have had a very successful year and can’t wait to see what next season has in store for me.

Check out this video on why I joined Charlotte Ballet:
Juwan Alston on Why He Joined Charlotte Ballet

This year my summer starts on May 1st, and boy am I excited for it. I will be taking some much needed recovery and rest time for my body. As many of you know, I will be returning to Texas to teach a series of master classes and spend time with my family. As well as doing some guest artist work. Then the company will begin rehearsing for our summer Chautauqua season in June, and I will be in Chautauqua, New York for a month. Following that I will be teaching at 3 different summer intensives. The grand finale of my summer, is just taking time to myself for relaxation and pure enjoyment of the summer weather before I go into hiding inside of a dance studio again.

I hope all of you have had an incredible school year! A special congratulations and shout out goes to the class of 2016. I wish you all great success in where the next step in life is for you. Have a wonderful and safe summer!

Monday, March 21, 2016

March: Juwan Alston


March: What does your professional schedule look like for next year, what kind of classes/event will you be taking/participating in and what are you looking forward to about next year?


Growth, Growth, and Growth

It has been a crazy time here in Charlotte. We just wrapped up The Little Mermaid which was absolutely incredible. It was such a visually compelling ballet, that it was truly enjoyed by everyone old and young alike. Being able to bring this ballet to life was truly an honor, the set pieces and costumes, choreography were all just right on the mark. Hering all of the laughs, gasps, cheers, etc. from all of the children made every single special and allowed us to continue to keep it fresh!
Now we are preparing to perform our final show of mixed rep. It will consist of George Balanchine's Who Cares?, Sasha Janes’ We Danced Through Life, as well as a world premiere by Dwight Rhoden.

Next year for me is going to be, yet again, a very exciting year. I will continue dancing at Charlotte Ballet in the first company, working hard and continue growing as an artist and a dancer. I am looking forward to the rep that we will be dancing. It is Jean-Pierre Bonnefoux’s last season as the artistic director of Charlotte Ballet, so I know the entire season is going to be exciting! I plan to spend the summer dancing with the company in our summer Chautauqua season, as well as exploring different teaching opportunities.  So my new “year” starts in June!

Wednesday, February 24, 2016

February: Heather Hardesty


February: Who is your dance idol (dead or alive)? and why?

So this month we are asked to write about who is our dance idol and why.  I feel as though I’ve been blessed to have so many over the years that it’s hard to choose just one.  There’s one in particular that cultivated my passion to teach and for that I will be forever be grateful.  Her name is Tracy Foster (now Tracy Foster Borschow).  She used to own Strut’s N Company in McKinney, TX and I started at her studio in 1992 when I moved to McKinney to finish out my high school years.  Not only was Tracy an amazing dancer, she was also a wonderful teacher.  She never let a child leave class feeling bad or defeated.  Tracy always encouraged and celebrated successes!

She approached me a few months into my tenure at Strut’s and Co and asked if I would assist her teaching a 3 and 4 year old class.  I was super happy to.  After assisting her for a few months, she started letting me teach parts of the class on my own.  It was great to have someone there teaching me how to teach.  By the end of the semester I was teaching the class on my own.  My senior year of high school she put me on the schedule for classes and I had 3 that I taught on my own and then my freshman year of college I was given more classes to teach.  I always enjoyed teaching younger kids and the baby classes were always my favorite!


After 24 years of teaching dance, I definitely will always remember who gave me my start.  I hope that one day I’m able to show her what I’ve built on my own with Kinderdance Austin and I can only hope she is proud and knows that she had a big part in shaping the type of teacher I am today. 

February: Juwan Alston


February: Who is your dance idol (dead or alive)? and why?

I want to sincerely apologize for not blogging last month. I will share my goal that I have given myself for the year. I want to continue discovering my voice as an artist and continuing defining myself and growing as a person. Ways that you grow, is by challenging yourself. When we came back from Christmas Break, we began working very hard on a new show (that included 2 world premieres), and we had 2 weeks to do so. It was a madhouse, but in the end it was so much fun.

Now onto February. my dance idol changes constantly. I love to find things about many different dancers that I love. My number one female would have to be between Evgenia Obraztsova and Natalia Osipova. They are both absolutely amazing dancers, and anytime they step on stage, they immediately capture your attention. Now when it comes to males, my top 2 are Leonid Sarafanov and Friedemann Vogel. These guys are simply beautiful and passionate artists. Other dancers i admire are Kimin Kim, Semyon Chudin, Artem Ovcharenko, Daniil Simkin, Maria Kochetkova, Gillian Murphy, Sylvie Guillem, Marianela Nunez, Steven McRae, Misty Copeland, Roberto Bolle, Mathieu Ganio, and Aurelie Dupont. And I will stop naming people because I could go on and on. I have never seen 2 dancers that dance the same. Even if the role and choreography are the same, every dancer approaches and executes the movement differently. The individual artistry is what makes dance and dancers so special!

Wednesday, February 3, 2016

January: Heather Hardesty

Happy New Year to all!  What a wonderful start to 2016 it has been.  I know there was a specific topic for January, but I felt drawn to talk about something different that I think many fellow dance educators and dancers can relate to. 
Over the past few years I have witnessed something that at its core makes me sad.  I have noticed and been the instructor to children who at the first sign of “failure” have a breakdown or retreat.  I know that getting upset with yourself if you don’t get something isn’t anything new, but this is a bit different.  We as dance educators know that students will pick up things at different speeds and thus grow in their abilities at different speeds.  We as educators know that, but do children and their parents know that?  The answer to that question is both Yes and No.
I do think there are some children and some parents that know this, but I think there’s a much larger portion of people today that do not realize it.  Why are children today breaking down when they can’t get something right away or why do at the first sign of things being challenging do kids run away or drop?   I think there are many answers to this question.  First, in my opinion, society puts an enormous amount of pressure on kids to succeed.  Who doesn’t love it when your kid gets straight A’s, places overall at a competition or gets an award for their community service.  I know as a parent that I’m extremely proud when my child does these things.  What I do think is missing is permission to fail.  I think we have to learn to be better in that department.  We need to let children know that it’s okay if they didn’t master that new technique in jazz class this week or that it’s okay that they got a B in a class as long as they tried their best or that it’s okay if they don’t place overall at a competition.  

Second, I think kids put an enormous amount of pressure on themselves.  Kids today see shows like Dance Moms, America’s Got Talent, American Idol, etc and dream of being like those people on there.  I think that we live in an insta-world where we are used to having everything in a instant and I think some of these kids who take class with us on a weekly basis think that at the end of the semester they should be busting out double turns or switch leaps.  What I think has been forgotten is the process.  Most of those people on those reality shows didn’t roll out of bed with all that talent, they worked for their talent.  Granted many have natural ability, but hours were spent perfecting their craft.   I try to tell my students all the time that we all pick up at different speeds and not to be hard on yourself.  We all get to finish line just at different times.  I had a child in my class this year that burst into tears when we did a simple move across the floor because she didn’t get it right away.  I assured her it was okay.  I broke it down and had her a few others do the movement a little slower.  She was so scared to fail that for 3 weeks she wouldn’t go across the floor.  I spoke to her at the end of each week to assure her that each week she was getting stronger in her movement and that it takes time to master a new genre.  I also reminded the student that she doesn’t need to give up.  I might also add that it was week 3 into class.  I had another student who every time we worked on turns (simple prep and single turns) would have to go to the restroom.  I asked her a few weeks ago why she always needed to go to the restroom when we started doing turns.  I encouraged her every week with what she was able to do and she was getting stronger, but the pressure she put on herself to be just as good as everyone else was too much and she dropped.  I ask myself as a teacher “Am I doing everything I can do to make sure every child feels good about themselves no matter what level they are?” “Am I adding to their stress and insecurity?”  “Why are parents not making children honor a commitment and allow them to quit something halfway through and not seeing it to the end?”


I cite these examples because it scares me on some level that we have a generation of children who are going to grow into adults and anytime something gets hard they quit and walk away or hide under their desk filled with such anxiety.  So the question I pose is what we as dance educators can do about this.  I know for myself this is something in the coming weeks I will meditate on.  In the words of my friend Darryl Retter – Dance is but a by-product of what we teach within the studio.  How can we use our half hour or hour a week to positively influence a child?

Saturday, January 2, 2016

December: Juwan Alston

Dec: If you could ask Santa for something (real or imaginary) that would make your dance life or personal life easier, what would it be?

Christmas for a Dancer Well, if I could ask Santa Claus for anything, I would probably ask him for more flexible ankles. I just feel that would make things slightly easier in truly taking my lines to the next level! I do feel like, as a dancer, we spend all day in front of a mirror, so we search for flaws in ourselves. Or things that we want to change, especially because we are constantly comparing ourselves to others. So many times we get into the mindset of, “If only I was as flexible as Lauren,” or “I wish I could turn like Josh.” But where ever we go, there is going to be someone that can do something better than us. So even if we were to recieve this “gift” from Santa, we would never be truly satisfied and constantly want something more. So instead of focusing on what we could use to make our lives better, let's focus on the things that we already do well while acknowledging what we are looking to make stronger. Merry Christmas to everyone!

December: Heather Hardesty

Dec: If you could ask Santa for something (real or imaginary) that would make your dance life or personal life easier, what would it be?

If I could ask Santa for something that would make my dance life easier it would to be able to take a yearly sabbatical for just 4 weeks so I could study, write lesson plans and complete all choreography for an entire year all at once.  I would love to go to a private island with my cottage on the beach, with wi-fi of course, and just be inspired by the ocean and beautiful surroundings.  My life would be so much easier if I started the first of the year with lesson plans for all every week I taught.  A girl can dream right?

If I could ask Santa for something that would make my personal life easier, it would be to have a personal chef that cooked all of our meals.  This way we would have the most time available to spend with one another as a family and we would always have really good food.  This would also help because I’m not the best cook. 

Happy New Year and may 2016 be your best year yet!